If
you are okay with nu-metal, than you should be okay with
Edgewater. They are a pretty formalistic band- heavier riffs
light happy refrain. That’s okay though, a lot of
music is formalistic and at least these guys make the effort
to vary their riffs. They blend a little bit of the new
pop punk vibe with the early 2000 heavy rock vibe but its
not anything new- in fact its kind of bland.
It is a challenge to write a review of an album that doesn’t
stand apart from its peers and I find myself just making
the same comments over and over again. So here is how this
album breaks down. The singer, Matt Moseman, has a strong
voice with a good range but he doesn’t take advantage
of it. He doesn’t sing with much emotion and that
could be because this album is over-produced and Moseman’s
intensity is mixed out. He is capable, you can hear a hint
of it on the track Tres Quatros, but it doesn’t cross
over into the rest of the record. Then you get two guitarists
who have harmony and their riffs aren’t as common
sounding as most rock albums coming out but still nothing
amazing. They play well, but they should since they are
professionals. Then you got bass and drums. It is often
said that the bass and drums are the backbone of the band.
They are pretty solid as far as keeping rhythm but it’s
no Iron Maiden.
Overall
this record is pretty much run of the mill. Check out Tres
Quatros, Inhale, and Neglected because those are the best
on the record. Edgewater has talent and maybe with their
next album they will create something that defines them
rather than camouflaging them in the nu-metal landscape.
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