As
virtual constructers of the brash industrial/synthesizer metal
sound FEAR FACTORY have made a very powerful return and I
was fortunate enough to get my dirty paws on a advance copy
of their futuristic masterpiece.
With
the departure of Dino Cazares on guitar in 2002 the state
of FEAR FACTORY was in heavy question by the hordes of fans
that had helped build them into having a very solid underground
following. With online posts by lead vocalists Burton C. Bell
the band was said to still be in existence but who would have
ever guessed that Archetype would pack such an awesome punch.
With
Archetype the listener is taken on a brutal journey that showcases
just how imperative this band is for the metal world. Taking
over guitar duties is long-time FEAR FACTORY bassist Christian
Olde Wolbers. One would think that switching from bass to
lead guitar would have been a difficult leap but Wolbers takes
this step in utter flawless stride proving that this was a
choice well made. Raymond Herrera’s drumming techniques are
still brutal and tight giving FEAR FACTORY that skull crushing
edge that fans have thrived on since their incarnation 14
years ago. Herrera's drumming has in fact always been the
driving force and with Archetype he further proves how understated
a drummer he actually is. Joining FEAR FACTORY on bass duties
is former Strapping Young Lad member Byron Stroud rounding
out one damn powerful four piece to say the very least. John
Bechdel as well returned to the recording sessions for Archetype
adding his hypnotic touch on keyboards/programming and will
join FEAR FACTORY on the road as well.
Archetype
is by all means a brutal album not straying from their patent
sound fans have embraced. From the opening track “Slave Labor”
FEAR FACTORY pound you into submission with such a bottom
heavy edge taking a very straightforward jab at the music
industry. “Cyberwaste” is an all too powerful song directed
at online chatters and all the shit talking these people indulge
themselves into. “Corporate Cloning” is a very groove driven
cut dealing with the world’s infatuation with the efforts
of cloning as well showcases Bell’s cleaner vocal style. “Human
Shields” displays a more textured and memorizing side to FEAR
FACTORY and at times is almost soothing. With out giving away
too much more of the surprise that awaits fans I would easily
have to say that this is easily FEAR Factory's strongest release
to date. Archetype is a masterpiece for the metal world that
will surely spread world wide giving them hordes of new fans
hungry for something with substance and non-contrived fake
metal.
After
recently ripping thru a well received set at the famous BIG
DAY OUT festival in Australia FEAR FACTORY are now confirmed
to have a slot on the JAGERMEISTER MUSIC TOUR with headliners
SLIPKNOT which guarantees to be one hell of a ominous tour.
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