Incubus
has a theory that if you make the same album twice you fail,
even if everyone likes your album. Thus A Crow Left to the
Murder is right on target if changing their sound was the
goal. Closer to S.C.I.E.N.C.E. than any other Incubus record,
this record will probably leave old-school Incubus fans disappointed,
but that really doesn't mean anything now does it.
Sonically,
this album is a pretty diverse effort, ranging from energetic
garage-rock to an organic mellow Jewel type music. Gone are
the silly love ballads which singer Brandon Boyd has replaced
with more socially conscious lyrics and poetically complex
doting. To his credit, Boyd's voice is amazing on this record
and he has expanded his range and texture immensely, probably
with the help of producer Brendan O'Brien. Unfortunately,
sometimes A Crow Left of The Murder relies a little too much
on Boyd's vocals and not enough on musical strength. Which
is sad for a band that used to perfect such a balance.
The
first single, Megalomaniac, is a great bridge between previous
Incubus efforts and their new musical venture. Additionally,
the track sets the social commentary vibe of the rest of the
album. If only all the songs on the album were as up beat
and passionate as Megalomaniac these guys would have had a
sure winner on their hands and Incubus would have created
quite a masterpiece.
Some
of the mellower songs have got to go (like Southern Girl and
Made for TV movie), not because they are mellow, simply because
they are tired, boring, and nondescript. It's okay to be more
chill but not at the expense of decent listening. On the plus
side though, most of the album is upbeat and listenable. Also,
this record is the similar to a live jam session rather than
a meticulously planned out studio recording, which works in
Incubus' favour. My advice is to prevue the album before you
make the investment.
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