So, I am not a
fan of boredom. Understand this- it is very challenging
to review cds that all sound the same with out making my
review sound the same. I always have my thesaurus handy.
I like to vary the same three words that best describe the
doses of radio rock that I am privileged to evaluate (Not
that the bands ever return the favor, and make the effort
to save me from the same three chords over and over again).
Since a lot of what the music industry churns out is crap,
I didn’t have great hope for this new record from
Kasabian. I assumed it was some more garbled heavy rock,
mainly because Kasabian is the name of one of Charles Manson’s
infamous victims and Marilyn Manson made industrial rock
oh so fashionable.
You know what they say though, to assume is making an ass
out of you and me. I was certainly wrong about Kasabian.
The self titled debut is a retro-rock record, certainly
free from distortion pedals. In fact, the boys from Kasabian
do a pretty good job with their effects, having made some
sort of retro-rock meets synth-pop. Brit pop at that. Think
Primal Scream.
Kasabian hasn’t necessary done anything new, but
thank god they aren’t another straight retro throw
back like Jet. They have enough dance-fusion going on to
keep the beats varied and you entertained. While the beats
are smashing, the vocals do get a little too whiney in some
spots. For example, the track L.S.F does have an upbeat
tempo which is neat and makes you want to tap your feet,
but the Bono-esque U2 vocals vibe makes me almost want to
turn it off. Such an emotional crisis! But songs like Ovary
Stripe, which omit that annoying whine and add some neat
piano, as well as Test Transmission, which boasts a better
singing style, make up for the borderline vocal travesty.
Overall this album provides a good break from America’s
sound, which unfortunately has Three Doors Down topping
the charts. Check these guys out, even if it is only to
give yourself some variety, its well worth it.
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